There’s something cinematic about speed, spectacle and a well-timed outfit. And unless you’ve been living under a rock—or have somehow managed to avoid your phone all week—you already know the F1 movie premiere just happened. It goes without saying: this is a premiere we’ve been waiting for. The kind that had us watching timelines and red carpets like hawks—foot on the gas—just to see what fashion GOATs like Lewis Hamilton would roll up in.
The red carpet wasn’t just a warm-up lap—it was the main event…
This wasn’t about who wore the most expensive suit or the loudest label. It was about intention. Silhouettes were sharper. Fabric choices had edge. And for once, everyone seemed to understand the assignment: show up with a point of view.
The vibe? Elevated but effortless. A mix of tailoring, texture, and quiet risk. Fashion moved with the same energy as the cars—fast, calculated, and designed to leave a mark. Here are the celebs putting fashion in the fast lane.
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See also: Glenfiddich teams up with Aston Martin F1 to redefine luxury, speed, and the art of the perfect pour
Lewis Hamilton
There isn’t a single thing Lewis can do style-wise that would ever make me turn my head away from this man. Period.
At the F1 premiere, he showed up in a sculpted blush-pink Dior jacket with a sharp mandarin collar and subtle waist shaping—serving tailored drama with zero desperation. The black trousers kept it clean. The jewelry? Classic Lewis: iced-out accents, stacked rings, and a GOAT brooch that said it before we could. It wasn’t loud—but it landed. Effortless, elevated, and entirely in his lane.
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Damon Idris
Damson Idris stepped out in a pinstriped Prada suit layered over a matching vest—no shirt, no problem. The tailored three-piece brought structure, while the lack of a button-down kept the whole thing feeling modern and just the right amount of unbothered. It was clean, deliberate, and a quiet flex for anyone paying attention.
Though the accessories were solid, a louder earring could’ve taken the look to that next tier. Still—cool, crisp, and fully in control.
Brad Pitt
Brad Pitt knows how to wear a suit—we’re not debating that. The navy Anderson & Sheppard double-breasted fit was clean, the open collar was classic, and the tinted sunglasses gave it that familiar, unfazed charm. It was a solid look. No complaints.
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But for a premiere of this scale—in the world of F1, no less—and standing alongside someone like Lewis Hamilton? I expected more. The tailoring was safe. The styling felt… expected. It lacked that push, that moment. Great look? Sure. But not the one that’s going to live rent-free in our heads.
Michael Rainey Jr.
As a Tommy Hilfiger ambassador, Michael Rainey Jr. naturally showed up in head-to-toe Tommy for the premiere—wearing a sky-blue suit layered over a crisp white shirt and matching vest. The tailoring was clean, the colour was a welcome shift from the usual black-tie fatigue, and the effort was there.
But while I love the nod to colour at a premiere that was inevitably going to be coated in black suits and tuxedos, the look needed a bit more elevation. The black fringed loafers dulled the energy—whereas a pointed Chelsea boot could’ve tied the whole thing together and added some intentional edge. And in my opinion, silver accessories always pair beautifully with blue. Just one or two could’ve brought a bit more life to the moment. Close, but not quite podium-ready.
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Miles Chamley-Watson
It’s no secret that Miles Chamley-Watson can serve a look. The man has range, presence, and the kind of frame that makes clothes work for him. Which is why this one felt a little underplayed. The tailoring was tight, the palette clean—but it stopped just short of the kind of risk we’ve come to expect.
We’ve seen Miles turn a step-and-repeat into a full editorial. Here, it was more… polished than punchy. A bolder shoe, unexpected styling choice, or even one disruptive accessory could’ve pushed it to that next level. Instead, it stayed safe. And safe doesn’t always stick.
While it’s not my favourite, it’s definitely a cut above many of the stalled-out, off-the-lot looks we’ve seen at this premiere.
Kane Brown
It’s not often that someone from the country circuit shows up to a premiere and delivers a look this tailored, this crisp, and this unexpected—but Kane Brown did just that. He stepped out in a grey herringbone double-breasted suit layered over a white shirt and bold red tie. It was giving American Psycho energy in the best way—structured, polished, and just the right amount of unsettling.
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The pants could’ve used a bit more tailoring, but he really ate that. The fit had weight, the styling had purpose, and it stood out in a sea of black suits without screaming for attention. Honestly? Respect.
Dom Dolla
Can we all take a moment to give Dom Dolla his flowers? Because it wasn’t a suit, it was unexpected—but you could tell it was uniquely him.
While most played the tailoring game, Dom rolled up in a black leather biker jacket layered over a crisp white shirt and skinny black tie. Wide-leg trousers and black loafers kept the bottom half relaxed, but the top half? All edge. It felt intentional. Confident. Like someone who knows exactly how he wants to show up—on a stage or a step-and-repeat.
Was it traditional premiere fashion? Not even close. But it was cool, it was clean, and most importantly—it was Dom.
Lando Norris
Lando Norris didn’t need loud prints or risky styling to make an impact. He won the game of true tailoring—clean lines, a double-breasted navy suit that actually fit like it should, and low-key accessories that exuded nothing but quiet sophistication.
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The white shoes were a curveball that did meet the glove—but personally, I would’ve opted for a nice brogue or even a pointed loafer. Still, the overall look? Polished, confident, and proof that less really can be more.
Javier Bardem
There’s something about the simplicity of this look that just gets me. The all-black suit, the perfect fit, the ease of it all—it’s classic in the best possible way. No extra styling, no loud statement. Just quiet confidence. My kind of standout at the F1 premiere.
And yes… I’m also obsessed with Javier himself. That part’s not up for debate.
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Kerry Condon
Of course, we have to give some love to Kerry Condon at the F1 premiere. Her black tulle Elisabetta Franchi gown, detailed with velvet appliqués in all the right places, was a masterclass in subtle seduction—revealing just enough while keeping its mystery intact.
The IWC Portofino on her wrist didn’t scream for attention, but it didn’t have to. It was elegance with an edge—and honestly, it felt very her.